Monday Afternoon Club: Come, Tell Me How You Live

My presentation yesterday for the Monday Afternoon Club on Victorian archaeologists went very well. I profiled four 'ladies in the field': Amelia Edwards, Zelia Nuttall, Jane Dieulafoy, and Agatha Christie. 

There is something to be said for researching, writing, and then presenting a paper to a group of like-minded women. All the members of the club are life-long readers and each one has a lively interest in intellectual pursuits. 

I find that actually having to 'perform' in front of an audience is so much more fulfilling than the times in school when term papers were simply handed in to the teacher and then received back with a grade. Somehow having to think about how my audience might respond to the information I am writing makes for a tighter and more entertaining paper.

I have come a long way since the time I was in a fourth-grade talent show and kept my eyes closed the entire time I was on stage thinking - with my elementary-school brain - that if I couldn't see the audience then they couldn't see me!

Over the years I have learned some tricks that make speaking in front of an audience less terrifying than my early school year experiences. Yes, I did keep my eyes open! As a matter of fact, getting to share with the group the intriguing ideas and information that I have come across in my research is truly the best part - the frosting on the cake!

Thanks for your comments and for sending me your well wishes for this project.

Hmmm. Now, what do I want to research for next year's paper?

In Which, Thank Heavens, You Can't Tell a Book By Its Cover

Agatha Christie in the Middle East
Photo source: The British Museum

In preparation for my research paper on Ladies in the Field, female archaeologists of the Victorian era (here), I began reading Come, Tell Me How You Live by Agatha Christie.

It was published in 1946 and recounts the adventures with her husband, archaeologist Max Mallowan, in Syria and Iraq in the 1930s.

Although I have read many of Christie's mysteries, my knowledge of her life is spotty at best, so I am getting to know her a bit.

I am surprised at how funny the writing is and am so enjoying it. Ms. Christie, although not formally educated in archaeology, nevertheless is fascinated with the findings at the digs - pots, jewelry, and sometimes bones - long buried in the sand. She helps out by cleaning pieces in between murdering characters on the page at her typewriter.

It is written more in the form of a journal and the immediacy of that style is very appealing. There is more about the people and the culture and the mishaps than any sort of long-ago history of the places they stay. It is quite an eye-opening account into the area and I can't imagine putting myself in the middle of the desert with its many hardships - which she seems to take very well...most of the time. She does reach her limit with mice, though.

My big complaint is that the physical book is absolute junk. The text looks as if the publisher (William Morrow) simply photocopied the pages in an original edition and printed them. The words are fuzzy on the page. There are some black and white photographs included and they are pretty much just a blur. Not at all helpful.

The paper itself is so soft and woody that my pencil pushes through it when I underline or mark any place names or particular descriptions for my research. (That is another thing - I hate marking in books but I see no way around it this time!)

The cover is of that smooshy sort - soft and flimsy. It is creepy to hold it feels so, well, smooshy.

I am very disappointed in the quality of the edition. The cost of the book should have been four dollars instead of fourteen!

Shame on you William Morrow.